Combas draws on graffiti, cartoons, and rock music, wildly distorting the human figure to the point of caricature. An anti-establishment maverick, Combas also revels in the vernacular of Art Brut, or outsider art, adopting its excesses and idiosyncrasies to force form and space to the edges of recognition. Whether it is charioteers sparring in a swamp of electric pink and blue, chimeric creatures venturing out to sea, or two-faced men playing jagged notes on make-shift instruments, Combas’ tableaus are humorous with an unsettling hint of esotericism. His outlandish paintings want, in the artist’s own words, “to tell you about the stupidity, violence, beauty, love, hatred, seriousness and fun, the logic and senselessness that pervade our day-to-day lives.”
Born in Lyon, France in 1957, Combas took an interest in art as a child and enrolled at the Ecole des Beaux-Arts at the age of 18. Over his influential career spanning more than three decades, he has been featured at the most prestigious art institutions such as the Biennale de Paris, Biennale de Lyon, Biennale of Sao Paulo; Centre Georges Pompidou, Paris; Fondation Cartier; Musée National d’Art Moderne, Paris; Institute of Contemporary Art, London; Musée d’Art Contemporaine, Nice; Museum of Art and Industry of St. Etienne; and had been accorded solo exhibitions and retrospectives at Musée d’art contemporain de Bordeaux; Stedlijk Museum, Amsterdam; Alliance Francaise de Bologne; Fondation Coffim, Paris; Fondation Vincent Van Gogh, place; Musée Toulouse Lautrec; Musée Paul Valéry, to name a few. The artist lives and works in Paris.